This poster reinterprets Wong Kar-wai’s Fallen Angels, translating cinematic mood into a still composition that prioritizes spatial tension and surface texture over narrative depiction. The central image is a tunnel photograph whose collapsing perspective implies motion and emotional distance. Later treatments added blur, streaking, and distressed texture to produce a fragmented, film-like surface.

Visual cues from Philadelphia’s Chinatown at night informed the palette, lighting, and material sensibility. Typography stays quiet and secondary to the image, functioning as a form of metadata while atmosphere drives tone.