This project explores ticketing as a typographic system. Screening details, festival credits, and seating information are organized into a clear hierarchy that prioritizes readability and event logistics. Typeface choice, scale, and spacing establish a rhythm that allows narrative and institutional metadata to coexist on a small printed surface.

Printed in risograph with a limited palette, the tickets adopt a modest material presence associated with independent cinema and small-batch ephemera. The result frames the ticket as both an informational tool and a record of attendance.